Art as a battlefield in British royalty
In the world of British royalty, every gesture and public appearance is carefully analyzed. Recently, a portrait of Prince Harry and Meghan Markle has generated a storm of comments and speculation, reviving the debate over their departure from the royal family in 2020. This incident not only reveals the persistent tension between the Sussexes and the monarchical institution, but It also demonstrates how art can be used as a powerful tool of social and political commentary.
The provocative approach of a real portrait painter
Dan Llywelyn Hall, renowned for his portraits of the late Queen Elizabeth II, has surprised the world with his portrayal of Harry and Meghan. Rather than following the traditional reverence associated with royal portraits, Hall has opted for a more provocative and symbolism-laden approach. His work portrays the dukes as ‘figures caught on the edge of public opinion’, a description that vividly captures the controversy that has surrounded the couple since their departure from the royal family.
The Welsh artist has not limited himself to simply representing the physical appearance of the Sussexes. In his place, he has chosen to compare Harry to ‘Prince Bonnie’ (Charles Edward Stuart), evoking the image of the rebellious young man he once was, before his marriage to Meghan. This artistic choice not only recalls the prince’s tumultuous past, but also suggests a veiled criticism of his transformation and the decisions that led him to distance himself from his royal duties.
Meghan as the ‘outsider’: A historical comparison full of irony
Perhaps the most intriguing aspect of Hall’s portrait is his depiction of Meghan Markle. The artist has chosen to compare her to Elizabeth Grey, a historical figure who became queen consort of England in 1464, despite having no direct royal ancestry. Elizabeth had previously been married and had children, generating controversy in power circles from the beginning of her secret marriage to Edward IV of England. This choice is not accidental; Hall describes Gray as possibly the most influential ‘outsider’ in royal history, drawing a direct parallel to Meghan’s position within the British Royal Family.
This comparison is loaded with irony and meaning. On the one hand, it recognizes the significant impact Meghan has had on the monarchy, altering perceptions and challenging traditions. On the other hand, it underlines her ‘outsider’ status, a label that has followed the former ‘Suits’ actress since her entry into the Royal House and that, ultimately, contributed to the couple’s decision to move away from their official roles. At a time when the British Royal Family faces significant challenges, from health issues to image crises, this portrait serves as a reminder of the underlying tensions that continue to define the relationship between the Sussexes and the institution they left behind.