The impact of La Mesita del Comedor: A disturbing experience in independent cinema

A revolution in the film industry

Caye Casas, born in Terrassa in 1976, has experienced a radical change in his film career. After a long period of effort and dedication, his film La Mesita del Comedor has achieved an unexpected impact, generating interest from the United States and various platforms and production companies.

The recognition of the film by acclaimed writer Stephen King has been a turning point. King described the film as a disturbing experience, highlighting its dark and comically horrific nature, which has contributed to its viralization and international recognition.

The support of a horror film legend

The support of Mick Garris, film director and adapter of King’s works, has been fundamental in the dissemination of the film. After the viral impact generated by the film, Garris made it easier for Stephen King to discover The Dining Table, which triggered enthusiastic recognition on the part of the writer.

King’s enthusiasm is not overstated, as the film offers a unique, disturbing and surprising cinematic experience. Despite having been shot in just 10 days and with a limited budget, the film stands out for its brilliant photography, artistic direction and a daring script that challenges the viewer’s limits.

Distribution challenges

Despite its recognition at international festivals, La Mesita del Comedor faced difficulties in its distribution. The lack of interest from the companies led to Casas and his producers having to take care of its dissemination, limiting its access to movie theaters.

However, the film’s inclusion in the Filmin catalog represents an opportunity for a broader audience to experience this unique work of cinema.

The challenge of censorship and creative freedom

Casas highlights the challenge that the film industry faces in terms of censorship and self-censorship. The Dining Table, being an independent and risky film, has faced obstacles in its dissemination due to its disturbing nature and its lack of conformity with conventional standards.

The filmmaker expresses his desire to maintain creative freedom in his future projects, challenging the restrictions imposed by large platforms and production companies. Despite the difficulties, Casas is determined to follow his artistic line, seeking to tell authentic and disturbing stories without compromising his creative vision.

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