A different Sunday: Dance and Reflection
While two of the most emblematic football clubs played a new chapter of its rivalry, just minutes from there, the Pina Bausch room in the Mercat de les Flors hosted an artistic experience that transcends the sport. ‘Mónica’, a work by Federico Vladimir and Pablo Lilienfeld, attracted a diverse audience with its mixture of nudism, visual art and family tributes.
A stage full of emotions
The room, transformed into an ephemeral gallery, offered a warm and intimate atmosphere. The work explores the lives of the two mothers of the creators, both called Mónica, who share a story of migration and adaptation. Through his narrative, the work transports us to the experiences of these women who grew up in Argentina and ended up finding a new beginning in Spain.
Life and art stories
With a background that recalls the past, the piece has a unique look at motherhood and creativity. Moms, with diverse origins, lived realities that influenced their professional career. One became a dentist, while the other devoted his life to art. His experiences are reflected in the works shown on stage, with a style that combines naïve and a friendly surrealism.
A journey between kitsch and introspection
The play, which incorporates musical elements, is developed with a combination of video and live performances. Although the ideas are bright, their execution may seem unequal, with moments that need greater technical precision. However, reflections on the gaze and absence become the true protagonists of the narrative.
The mothers rebellion
The voices of the mothers resonate in the piece with a powerful message: they do not need to be looked at to validate their existence. This becomes a mantra that challenges expectations and represents a new way of perceiving motherhood. The anecdotes they share bring a richer dimension to the work, emphasizing the importance of honoring their stories.
An end that invites reflection
With a duration that may seem excessive, the work culminates in a song that fuses staff with the symbolic. The phrase ‘No dejees means’ becomes a reminder of the importance of individuality. Thus, ‘Mónica’ is presented as a love letter to all mothers, reminding us that, in the end, they are the true creators of life.
Through dance and art, Federico and Pablo give us a renewed view on motherhood, a tribute that resonates in the heart of all those who have been influenced by their mothers, remembering that each story is unique and worthy of being celebrated.