A festival that does not feel
The Metropolitan Dance Festival continues its march by vibrating Barcelona and other municipalities in the metropolitan area, maintaining energy despite inclement weather. With a significant part of the programming dedicated to street shows, the event presents a merger of professional performances and school presentations, known as vibrations. The program, which will extend until March 30, has been detailed by Jaume Forés Julianaus in an article that emphasizes its diversity.
Dance and Theater: A new perspective
In this chronicle, we will explore two actions that challenge traditional conventions of what we consider to dance. These works transcend the usual labels and are part of a more essential and contemporary approach to theater. The creators, Marina Otero and Candela Capitán, seem indifferent to the classifications, and this artistic attitude becomes the nucleus of their proposals.
Marina Otero and ‘Kill Me’ at the Free Theater
Marina Otero’s proposal, entitled ‘Kill Me’, explores the complexities of mental health. Inspired by ancient medicine, Otero presents a cast of five dancers who share a melancholy that reflects their own experience with the limiting personality disorder. Through this show, the artist offers an intimate and provocative view of madness, weaving a story that combines humor and tragedy.
A journey to melancholy
Otero, in his latest work, presents an emotional landscape in which dancers share their experiences with mental disorders. The autobiographical narrative is intertwined with references to iconic figures such as Marilyn Monroe and Édith Piaf, who also fought with their mental health. This approach not only challenges the expectations of the public, but also causes reflections on the relationship between genius and madness.
Candela Capitán and reflection on loneliness
After exploring Otero, we move to the Teatre l’Artesà del Prat de Llobregat, where the choreographer Candela Capitán presents ‘Solas’. With a striking wardrobe, the performers connect to a Chaturbate room, creating a dialogue between reality and fiction. This work, which explores loneliness in a hyperconnected world, challenges the perceptions of the public about eroticism and the relationship with the female body.
The Dualitat del Digital I the Face -to -face
The Capitán installation uses mobile devices to connect the public with an adult content platform, generating an immersive experience that questions the nature of privacy in the digital age. The choreography, by Virginia Martín, brings a physical intensity that challenges traditional expectations, while lighting and sound design amplify the impact of the work.
A Dialogue between Art and Society
Both proposals are not only a reflection of the artists’ personal experiences, but also open a debate on mental health and loneliness in today’s society. With an audience that is sometimes separated from the scene, the works of Otero and Capitán invite us to reflect on the human condition and our connections with others.
As the festival progresses, these performances remind us of the power of theater and dance to deal with deep and complex issues, showing that art can be a vehicle for understanding and healing in times of crisis.