Reviewing the image of Catalan woman: an aesthetic reflection

A new vision of beauty

Ophelia Carbonell’s recent book, ‘The Catalans are not painted’, has caused a sense of deep recognition in many readers. As the creator of the novel ‘Wood and Resin’ and an active participant in the podcast ‘People of shit’, Carbonell explores the relationship of Catalan women with beauty throughout the 20th century, reflecting on the social and aesthetic expectations that surround them.

Stereotypes and realities

Over time, the idea that the Catalans are dealing with glamor, which do not adapt to global beauty standards. This notion, discussed in circles of friends and social media, reveals the pressure that many women feel to adjust to a model that does not always resonate with their identity.

Perception of beauty through generations

Carbonell tells the experience of an American mother in Barcelona, ​​who is forced to reduce her aesthetic standards to fit in her new environment. This experience highlights the disconnection between the ideal of international beauty and the local reality.

The influence of the story

Carbonell’s work does not ignore the wounds of the past, from the Civil War to the democratic transition. His research reveals how historical experiences have shaped the perception of the beauty and expectations of Catalan women. The relationship with cosmetics and aesthetics has been marked by the fight against humiliations and repression.

Cultural references

Carbonell draws a parallel between figures such as Eugeni d’Ors and contemporary icons, exploring how the ideal woman model has evolved, from Mediterranean beauty to current media images, such as Estrella Damm’s ads.

Beauty and identity

The relationship between beauty and Catalan identity is complex. The idea of ​​’The ideal woman’ presented by D’Ors contrasts with modernity, where women seek to represent themselves authentically. The influence of social media has changed the way we see ourselves and how others perceive us.

The impact of social media

In the digital age, the ‘Follower Gaze’ has replaced the ‘Male Gaze’, changing the dynamics of how we present ourselves in the world. Now, women are not only concerned about physical appearance, but also about the image they project on the networks, with a focus on authenticity and originality.

Reinventing femininity

As young people today explore their identity, they face the same tension between femininity and other aspects of their personality. Carbonell reflects on how new generations can integrate all their interests without feeling limited by traditional expectations.

A future of diversity

With the change of social paradigms and the democratization of beauty, the gaze on Catalan women is being transformed. Diversity and individuality become the new values ​​that define contemporary beauty, with a commitment to inclusion and acceptance.

Reflective conclusion

Beauty does not have to be a load or a social imperative. Carbonell invites us to rethink what it means to be beautiful in the current context, promoting a vision that celebrates diversity and authenticity instead of conforming to imposed models. His work is a reminder that beauty, in any of his forms, must be an expression of who we really are.

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