Inici » The resilience of creation: theater in a context of conflict

The resilience of creation: theater in a context of conflict

by PREMIUM.CAT
La escena se desarrolla en un teatro improvisado y poco iluminado que se asemeja a un espacio de almacenamiento desordenado, lleno de una variedad de 'probabilidades y extremos' dispersas. El escenario está adornado con 'bolsas de basura', 'latas de gasolina', una 'grapadora', un 'cubo' y una 'caja de cartón' que luego se transforma en un 'cofre de vestuario'. También hay 'cinta adhesiva', 'latas de pintura', 'tablones de madera', una 'pieza de tela roja enrollada' y una 'escoba industrial', creando una atmósfera caótica pero organizada. El protagonista, Ahmed Tobasi, emerge de la audiencia, subiendo al escenario con un comportamiento sincero y relajado, listo para compartir su historia. El telón de fondo es una mezcla de 'caos artístico' y 'elementos simbólicos' que reflejan las luchas y la resiliencia de un joven palestino que crece en un campo de refugiados. La audiencia está cautivada como Tobasi relata sus experiencias de la infancia en 'Cisjordania', la 'violencia' y la 'discriminación' enfrentada, y el

A theatrical journey through the crisis

The production ‘And Here and Am’, written by Hassan Abdulrazzak, has found its place in the new Uncertain Vives Vives Festival, an event that has brought to Catalonia a rich assortment of cultural proposals from regions such as Colombia and Kurdistan. This work, which narrates the life of a young Palestinian in a refugee camp, could be enjoyed in several municipalities, including Barcelona and Terrassa, showing the global impact of the performing arts.

The inspiration behind the stage

The monologue is an extension of the life of Ahmed Tobasi, the actor who plays the lead role and also plays as the artistic director of Freedom Theater in Jenin. This cultural space not only represents a resistance voice but has suffered repression, including attacks by the Israeli army. Tobasi’s personal connection with his character brings an unmatched authenticity to the work.

A set that reflects reality

The staging, designed by Sarah Beaton, evokes a chaotic and at the same time familiar atmosphere, with everyday objects that symbolize the difficulties of life in a refugee camp. Tobasi uses these elements with skill, transforming them into an extension of his personal narrative.

The power of the theatrical narrative

Through his performance, Tobasi shares his growth experience in an environment marked by violence and repression. Its arrest story at a young age and their experiences in prison are a testament to the power of creativity as an evasion mechanism. At one point, he even recreates a ‘talent glass’ among the inmates, emphasizing the importance of humor in times of crisis.

A self -realization odyssey

The tour of Tobasi, who took him to Norway to study theater, represents a journey to self-fulfillment. His connection to the legendary Mer Khamis, a mentor who inspired him, is a reminder of the transformative power of art and the importance of seeking truth through creativity.

Theater as a tool of change

Tobasi’s phrase on the theater romanticism in a refugee camp highlights his unique perspective on art as a form of resistance. His experience shows that theater can be as powerful as any weapon, offering a platform for truth and reconciliation.

An emotional ending

The representation culminates in a moment of great emotion, when Ahmed, proudly, appears in front of his audience in Palestine, discovering that those who once watched him in prison have come to see him. This moment symbolizes the triumph of the human spirit and the ability of art to unite people in adverse contexts.

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