Inici » The reinvention of rural heritage through women

The reinvention of rural heritage through women

by PREMIUM.CAT
Un acogedor entorno de museo rural, con un tono cálido y terroso para la arquitectura. La escena está dentro del Museo Cecilia Giménez Zarco en Borja, donde los visitantes admiran obras de arte restauradas, incluido el famoso Ecce Homo, una pintura que fue restaurada con amor por Cecilia Giménez. Las paredes del museo están adornadas con varias pinturas y obras de arte, cada una que refleja el patrimonio cultural de la región. Algunas personas, en su mayoría locales, son vistas interactuando con las piezas, mostrando su aprecio por el trabajo. Los visitantes incluyen hombres y mujeres de diferentes edades, una conversación profunda entre ellos y otros que están en silencio, reflexionando sobre las obras de arte. El entorno del museo es tranquilo y acogedor, con pisos de madera y muros de piedra que reflejan el encanto rústico de la zona. Afuera, a través de las grandes ventanas, hay un vistazo del exuberante campo verde, que agrega una sensación de continuidad entre el paisaje rural y el arte que lo represent

The silenced voice of heritage

In a recent conference held at the Museum of History of Catalonia, anthropologist Guadalupe Jiménez-Esquinas addressed a topic that is often in the shadow: the unpatrriarchalization of cultural heritage, with a special approach to female contributions to its maintenance. Within the framework of a conference dedicated to feminism and museums, he emphasized the importance of the care work performed by many women in rural contexts, such as the emblematic case of Cecilia Giménez, known for its controversial restoration of the Ecce Homo. of Borja.

A heritage in the hands of the community

Cecilia, who spent two decades for preserving the sanctuary’s assets, was not only a caregiver, but also a central figure in his community. His decision to restore the work was born of his love for heritage and his previous knowledge, acquired through experience and dedication. Despite the initial criticism and the media pressure he suffered, his initiative showed how local voices, especially female, are often not heard in decisions about his own heritage.

Building cultural identities

Museums and rural churches are much more than simple buildings; They are the reflection of the identities and values ​​of a community. The active participation of women in the preservation of these spaces is essential to keep local traditions and history alive. Jiménez-Esquinas emphasizes that alliances between cultural institutions and communities are essential to ensure that heritage is recognized and valued not only as a material good, but also as a vehicle for social cohesion and inclusion.

Re-signification and heritage care

The re-designification of cultural heritage involves a process of review and adaptation that allows communities to reconnect with their history. This dynamic not only helps to preserve material goods, but also promotes a sense of belonging and shared responsibility. In this sense, creating spaces for dialogue and consensus is vital to addressing the various perspectives on the preservation of heritage.

A positive ending for Cecilia

Despite the difficult times he lived, the story of Cecilia Giménez has found a hopeful outcome. Today, the Cecilia Giménez Zarco Museum, created in 2016, not only honors its work, but also a witness of how a community can defend and celebrate its heritage. With more than 11,000 visits a year, the funds raised helps to maintain her residence, where she continues to live with a smile, remembering the most positive moments of this unique experience.

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