The decline of Pablo Motos’ star program
Pablo Motos is the producer, director and presenter of the popular program El Hormiguero, which has been a benchmark on Spanish television. However, it has recently experienced a decline in its audience, becoming a topic of political debate and losing popularity among certain sectors of the population.
This decline was evident in the last broadcast, which recorded an audience rating of 14.8%, considered low compared to its usual standards. This change has generated speculation about the future of the show and its reign on Spanish television.
New challenges on the horizon
The outlook becomes even more complicated for Pablo Motos, since the launch of a similar program on Telecinco is expected in September, with the participation of one of his former collaborators, Carlos Latre. Furthermore, TVE has invested in a project that will occupy the same time slot, which indicates a possible change in television leadership.
These movements suggest that El Hormiguero’s reign could be coming to an end, as its audience has been reduced mainly to the right and far-right, losing its family character and becoming a program associated with the Vox political family.
Pablo Motos’ personal life
Outside of the cameras, Pablo Motos has an interesting personal life. His Catalan partner is Jorge Salvador, who previously had ties with Alfons Arús. Furthermore, his association with Gestmusic at Mediaset and his time at Cuatro have been part of his career, which has experienced ups and downs.
On a personal level, Pablo Motos does not have children of his own, but he has taken on a paternal role with the two daughters of his partner, the scriptwriter of the show Laura Llopis. Recently, he revealed a peculiar nickname that Laura gives him at home, showing a more intimate and unknown side of the presenter.
The role of Laura Llopis in El Hormiguero
Laura Llopis, Pablo Motos’ partner, plays a crucial role in the shadows of the program. She personally supervises the script of the program, influencing the questions and comments that Pablo Motos makes. Her participation has been the subject of analysis and criticism, with her being considered the mind behind certain controversial aspects of the program.
In summary, El Hormiguero faces a moment of change and challenge, with the possible arrival of new competing programs and the influence of key figures in its production. The future of this iconic Spanish television program is in question, and its evolution will be closely followed by viewers and the television industry.
