The complexity of mature characters
The playwright Guillem Clua has explored, throughout his career, the rich psychology of the elderly characters. These figures, loaded with memories and traumas, fight against the weight of their past as they try to free themselves from their emotional loads. From the disturbing figure of Judge Samuel Gallart to ‘Justice’ to the non -scarred wounds of Amèlia in ‘L’Oreneta’, now adds to this gallery the character of Llorenç Cardona to ‘Death of a comedian’.
A comedy that is transformed into melodrama
Clua’s work begins with a slightly comic tone, presenting a retired actor who, in his solitude, seeks connection through his own interpretations. His new caregiver, a stranger from the theater world, brings a fascinating contrast, as his references are limited to an ‘this sounds like’, referring to Hamlet. This dynamic between two diametrically opposite characters becomes an interpretation game that, as Oriol Osan said, ends up converging in a relationship that challenges expectations.
Theatrical references that give life to the plot
Clua uses theatrical references with skill, especially in the first half of the play, to illustrate the supposed madness of Llorenç. Characters like Puck, Caliban and Antigone appear in the dialogues, but the most significant is Willy Loman, the protagonist of ‘Death of a Traveler’ by Arthur Miller. Its influence is evident in the second act, when the relationships between the characters deepen, providing a new level of dramatic tension.
A direction that highlights the art of interpretation
Josep Maria Mestres, one of the most recognized directors, again collaborates with Clua, offering a direction that allows the actors to shine. With an intimate scenario that emphasizes the relationship between the three characters, his work is facilitated by the talent of Jordi Bosch, who brings an emotional depth to his role. Francesc Marginet, who plays the caregiver Adri, offers a personal growth journey, from ignorance to courage.
Dynamism between the actors
The interaction between Bosch and Marginet is fascinating; Bosch, with his vulnerability, contrasts with the uncertainty of his companion. Mercè Pons, in a secondary but crucial role, provides an air of vulnerability and strength, showing his ability to adapt to the circumstances of his uncle.
A scenario that reflects the narrative
The stage, designed by Joan Sabaté, creates an atmosphere full of symbolism, with posters of classic works reminiscent of the theatrical past of Llorenç. Lighting and sound space, worked by Kiko Planas and Jordi Bonet, respectively, complement the immersive experience, transporting the audience to a world where the line between reality and fiction becomes blurred.
An amazing and revealing end
As the work progresses, unexpected turns that challenge expectations, offering an end that, despite being tragic, resonates with the emotional richness of the characters. Clua, with his ability to intertwine the lives of their protagonists, leaves us with a reflection on the life, death and complexity of human relationships.
