A journey through symphonic music
On March 1, 2025, the Barcelona Auditorium became the stage for a new concert by the Barcelona and National Symphony Orchestra of Catalonia (OBC). The evening was marked by the interpretation of three different pieces, each with its own essence and complexity.
Ravel and his universe
The first work of the program, ‘La Valse’ by Maurice Ravel, was directed by Ludovic Morlot, who showed careful preparation. The interpretation revealed the subtleties of the composition, although it aroused reflections on the function of the OBC as a public orchestra. In a saturated record market, it is legitimate to question the need to dedicate resources to projects that could divert the attention of lesser known composers, especially those in the Catalan and Spanish fields.
An Analysis of ‘The Walse’
The interpretation of ‘La Valse’ was conceived with a vertical perspective, highlighting timbre contrasts and rhythmic accents. However, some viewers noticed a certain absence of the sensuality and the decadentism that characterizes the work.
Lisa Streich’s new creation
The evening continued with the presentation of ‘Meduse: “ Elle est belle et elle rit’ ‘, a work by the Swedish composer Lisa Streich. This piece, which saw the light for the first time in Spain, seeks to evoke the figure of Medusa with a musical narrative that is distance of the traditional format of concert for trumpet and orchestra.
A unique sound experience
The work incorporates repetition elements and obstinated rhythms, with a remarkable timbre experimentation. The trumpet, far from epic sounding, presented itself as a drowned voice, imitating the pizzicate of the ropes. However, some critics perceived that the piece, despite its innovations, lacked clear narrative development.
Sibelius and his symphony
The concert concluded with Symphony no. 5 In my Bemoll Major de Sibelius. Morlot directed this work with great attention to the details, creating a solid construction from the first compass. The complexity of the string sections was treated accurately, with a remarkable work in the nuances.
Key moments in the interpretation
The second movement showed a balance between moments of calmness and disturbing contrasts, with a special emphasis on tubes. However, the last movement was perceived as too accelerated, depriving the work of the grandeur required.
Challenges and reflections for the public
Despite musical excellence, it is pertinent to address the question of the presentation of the program. Dependence on QR codes can make it difficult for auditory experience, and it is essential that viewers have access to printed materials that allow them to follow the concert without distractions.
The evening was a reminder that, beyond the excellence of the OBC, is essential to foster musical diversity and the promotion of emerging composers, as well as ensure that the public can fully enjoy each performance.
