Inici » Bach and the intensity of passion: a unique musical journey

Bach and the intensity of passion: a unique musical journey

by PREMIUM.CAT
Una gran sala de conciertos, la 'Palau de la Música', llena de una audiencia cautivada por la presentación de 'Passió Segunds Sant Joan' de Bach. El escenario está adornado con decoraciones elegantes, y el 'Freiburger Barockorchester' se coloca en el fondo, sus instrumentos brillan bajo las luces de escenario suave. En primer plano, el coro 'Vox Luminis' se encuentra en la formación, sus expresiones intensas y enfocadas, encarnando el 'poder exuberante' de la pieza coral inicial, 'Herr, Unser Herrscher'. El director, 'Lionel Meunier', se ve a dirigir apasionadamente al coro mientras retrata simultáneamente 'Jesús', su presencia al mando pero humilde. El tenor 'Raphael Höhn' se destaca como el 'Evangelista', su voz resuena con claridad y emoción, guiando a la audiencia a través de la narrativa. Al rodearlo están los solistas, incluidos los Sopranos 'Erika Tandiono' y 'Viola Blache', y los tenores 'Christopher B. Fischer' y 'Vojtěch semerád', cada uno contribuyendo a la rica tapiz de sonido. El barítono 'Lóránn

An unforgettable musical experience at the Palau de la Música

On Friday, April 11, the Palau de la Música was the scene of an exceptional representation of the Passion according to Saint John of Johann Sebastian Bach, performed by the renowned Vox Vox Luminis, along with the Freiburger Barockorchester, all under the baton of the director and Baix Lionel Meunier, who assumed the role of Jesus with a significant depth.

The Vox Luminis Heart: Power and Dramatism

Vox Luminis, a prestigious choir directed by Meunier, began his performance with the shocking choir ‘Herr, Under Herrscher’, a demonstration of vocal force that, combined with the brightness of the orchestra, created a dramatic and emotional atmosphere that captivated the attendees.

The Role of Evangelist: Raphel Hushn

The tenor Raphael Höhn assumed the role of the evangelist, providing a clean and delicate voice that resonated with great clarity. His interpretation was an example of versatility, navigating the different shades with a sensitivity that enriched the gospel text.

An unusual strategy in soloists

Meunier’s decision to use choir singers as soloists raised various opinions. Although his interpretation as Jesus was respectable, his voice did not always achieve the projection needed for a role of such magnitude.

Diversity of voices: an ensemble variety

The soloists included the sopranos Erika Tandiono and Viola Blache, as well as the tenors Christopher B. Fischer and Vojtěch Semerád, accompanied by the contractor Alexander Chance and the Baix Sebastian Myrus. Among them, Chance stood out for his technical and musical excellence, especially in the aria ‘von Den Den Stricken Meiner Sünden’.

El Baríton Lóránt Najbauer: U Talent Singular

The baritone Lóránt Najbauer, despite playing a short role as a pilate, captivated the audience with his rich and authoritarian voice, leaving a lasting impression that placed him above the other soloists.

VOX Luminis I Freiburg Baroque Orchestra: Una Aliança Perfecta

The collaboration between Vox Luminis and the Freiburger Barockorchester was essential for the success of the performance. Together, they achieved harmony that transcended individual voices, creating a rich and cohesive sound experience. One of the most memorable moments was the ‘Ruht Wohl, Ihr Heiligen Gebeine’ heart, where the interaction between the two formations generated a sense of serenity and splendor.

Bach’s essence: Choir and orchestra as protagonists

In this performance, the choir and orchestra shone like the true protagonists, eclipsing individual performances and reflecting the essence of Bach’s work, where unity and collective power prevail above individualism.

Passion according to Saint John is not only a musical work; It is an emotional experience that resonates in the soul, reminding us of the power of music to connect with our deepest emotions.

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