A historical Moment on Goya awards
For the first time in nearly four decades, the prestigious Goya awards have seen how two films deal with the maximum guard, the best film. “47” and “The infiltration” have been recognized with this honor, marking a singular moment in the history of the Spanish cinema.
A Triomf shared
‘ 47’, with a total of 14 notions, he hasn’t only highlighted to be the most non-mout, but he’s also raised himself with five prizes, providing his position as favorite of the night. On the other hand, ‘The infiltrated, under the direction of Aranchavara, has managed to shine with his character actress, Yuste, who has received recognition for his role.
The Gala of Granada
The Academy of Arts and the Film Sciences of Spain celebrated the ceremony of delivery to Granada, where the environment was filled with emotion and excitement, the attendees, among the highlights of the film’s world, enjoyed a full evening of surprises and recognition.
Full Mexican of Goya 2025
The awards were granted in several categories, following the most relevant winners:
- [“Film: ’47’ by Marcel Barrena and ‘Arancha Echevarria”, “Direction: Isaki Lacuesta and Pol Rodrguez for’Segundo premio ‘”, ‘Make a lead: Carolina Yuste for the infiltration.’, “Actor protagonista: Eduard Fernández per ‘Marco'”, “Department Actor: Clara Safe for ‘El 47′”, “split manager: Save Queen for ’47′”, “Original script: Edward Sun for’Pasa in Flames'”, “Guido adaptat: Pedro Almodóvar per ‘The next room'”, “novel direction: Javier Macipe for’The Star azul ‘”, “Acticists: Laura Weissmahr by’Salve Maria'”, “Actor revelation: PepeLorente by’The Star azul ‘”, “animation film: David Baute’s Black Opposings · Global Voices”, “Documentary: ‘La guitarra flamenca’ by Yerai Cortés d’Antón Álvarez”, “Production direction: Carlos Apollorio for ‘El 47′”, “Photograph address: Edu Grau per ‘The next room'”, “Mount: Javi Frutos by’Segundo Awardo'”, “Journalist’s Direction: Javier Alvarinio for ‘The Red Virgen’ · Global Voices”, “Pack design: Ezquerro for’The Red Virgin’ · Global Voices”, “Mallage and hairia: Karmele Soler, Sergio Per Bebel and Nacho Díaz for ‘Marco'”, “So: Diana Sagrista, Eva Valiño, Alejandro Castillo i Antonin Dalmasso for ‘Second Prize'”, “Special effects: Laura Channels and Ivan López Herndez for ‘El 47′”, “Original music: Alberto Iglesias per ‘The next room'”, “Original song: ‘Los Almendros’ d’Antón Álvarez i Yerai Cortés per a ‘The flamenco guitar of Yerai Cortés'”, ‘fiction Curtmortion: “The Great Work of ÀÀÀlex Lora · Global Voices’, ‘documentary film: “Semillas of Kivu” by Carlos Valle and Néstor López’, ‘Imbed by animation: Carlos Fernández of Vigo and Lorena Ares · Global Voices’, “European film: ‘Eilia Pridia’ from Jacques Audiard”, “American film: ‘Ainda this is Walter Salles’ here · Global Voices”, ‘Goya d-Honor: Aitana Sánchez-Gijón’, ‘Goya International: Richard Gere’]
Reflexions Finals
These prizes not only celebrate the film’s biocellence, but also reflect the evolution and diversity of the Spanish cinema, the union of two films winners in a same guard is a witness of the talent and the rich narrative that continues to bloom in the industry. The future of Spanish cinema seems promising with new voices and stories that do nothing today.
