Inici » Nabucco: a musical journey between history and emotion

Nabucco: a musical journey between history and emotion

by PREMIUM.CAT
Una gran escena de la ópera que representa 'Nabucco' de Giuseppe Verdi, ambientada en el majestuoso 'Teatre-Auditori Sant Cugat del Vallès'. El escenario está adornado con una gran 'puerta de bronce' que simboliza el 'Templo de Jerusalén', flanqueado por 'candelabros' y 'Candelabras de siete ramificados' que arrojaron un brillo cálido sobre los artistas. En primer plano, 'Eugènia Montenegro' como 'Abigaille' se encuentra en el centro del escenario, su poderosa voz que resuena en el pasillo, vestida con un disfraz elaborado que refleja la naturaleza dramática de su personaje. Al rodearla se encuentran el 'Cor Amics de L’ òpera de Sabadell', un coro compacto y bien afinado, vestido con atuendos a juego, sus expresiones intensas a medida que se involucran en la narrativa emocional. El telón de fondo presenta paneles móviles que representan la 'Puerta Ishtar', con su icónico color 'lapis lazuli azul', creando un contraste sorprendente contra los tonos cálidos de la iluminación del escenario. 'Luis Cansino' como '

An opera of conflict and redemption

The opera ‘Nabucco’, created by Giuseppe Verdi, explores the tumultuous story of the Babylonian emperor that devastated Jerusalem and subdue his people. This work not only presents a narrative of spiritual oppression and transformation, but also raises great technical challenges for both singers and orchestra.

The challenges of interpretation

One of the main obstacles in the execution of ‘Nabucco’ is the need for a dramatic soprano with the versatility to address the intense score of Abigaille. This character, Nabucco’s daughter, is an example of the emotional complexity Verdi integrated into his music. In addition, the quality of the heart becomes essential, since the vocal ensemble not only accompanies, but also becomes a key character in the narrative.

The magic of the heart

The Friends of the Opera Choir of Sabadell, under the direction of Daniel Gil de Tejada, has shown significant growth in its quality, with a high percentage of professional singers. In crucial moments, like the renowned ‘Va, Pensiero’, the heart shone, offering an interpretation that resonated with strength and emotion.

Set design and direction: a delicate balance

Carles Ortiz, head of the stage management and the wardrobe, has opted for a minimalist approach that allows the attention to be focused on the actions of the soloists. Despite some inconsistencies in heart moving, production has managed to convey the essence of history without falling into visual excesses.

A space that evokes antiquity

With a set that includes an imposing bronze gate and references to the Ixtar door, the atmosphere created by Jordi Galobart transports the viewer to ancient Babylon and Jerusalem, reflecting the greatness and tragedy of narrated events.

The voices that give life to ‘Nabucco’

Eugènia Montenegro offered a powerful interpretation like Abigaille, emphasizing in key moments despite the need for psychological depth in his character. Luis Cansino, in the role of Nabucco, showed a remarkable evolution, while Alejandro Baliñas impressed his maturity as Zaccaria.

A director with vision

Sergi Roca Bru, at the head of the Vallès Symphony Orchestra, has contributed a freshness to the score, opting for an interpretation that combines energy with a certain lightness. Its ability to balance instrumental interventions with the voices of singers has been one of the strengths of production.

A promising future for Nabucco

Spectators from various Catalan cities, such as Vic, Lleida and Barcelona, ​​will have the opportunity to enjoy this production of ‘Nabucco’, which combines Verdi’s musical richness with an innovative visual interpretation. This work, full of passion and conflict, will continue to captivate audiences with its deep emotional connection and its powerful narrative.

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