The contractor that reinvents the Lleid
Philippe Jaroussky, the remarkable French countertenor, has shown that his voice can cross traditional borders in the world of classical music. With his performance at the Palau de la Música, he offered a new perspective on the Lied genre, a style that is usually not associated with his vocal technique. His career, marked by versatility and innovation, has captured both fans and neophytes.
Expectations and preparations
Jaroussky’s return to the palace led to great expectation, especially after the original recital was postponed. The audience was waiting with candlesticks to hear the contractor in a repertoire that transcends his expectations, fusing his style with the delicate world of Lied and Mélodie. This is not the first time that Jaroussky has addressed this repertoire; He had already presented a project focused on Schubert that was very well received.
A unique musical experience
With a relaxed air, Jaroussky opened the concert with a chronological repertoire of Lieder, emphasizing his performance by Haydn. In his interpretation of ‘Das Leben Ist Ein traum’, he showed exceptional control of vibrato and a ability to play with the dynamics, transporting the audience to a world where music becomes a dream. Mozart’s pieces added a new dimension to their performance, with an emotional touch that resonated deeply among the attendees.
The art of collaboration
Jérôme Ducros, on the piano, was an exceptional travel companion, providing exquisite accompaniment that enriched each piece. His interpretation of ‘Klavierstück D. 946’ was a moment of apotheosis that captivated the public. The chemistry between Jaroussky and Ducros is palpable, reflecting years of collaboration and a mutual understanding that made the recital even more memorable.
The promotion to new heights
On his journey to French music, Jaroussky shone especially in Fauré’s repertoire, with the ‘Five Venise Mélodies’ who obtained an enthusiastic response from the audience. His interpretation of ‘En Sourdine’ was a key moment, where the contractor showed his ability to combine technique and expressiveness, creating an emotional connection with the audience.
An Apothesical Final
The concert concluded with a Bis de Mompou, a choice that resonated with the attendees. With a small speech in Catalan that added a personal touch to the evening, Jaroussky left between applause and smiles, making it clear that his evolution as an artist continues. His commitment to music and his search for new experiences promise a brilliant and exciting future for this countertenor, which has undoubtedly come to stay.
His ability to reinvent and explore new artistic horizons make Philippe Jaroussky a unique figure in the current music scene, and his return to the Palau de la Música is only the beginning of a journey that will continue to captivate audiences worldwide.
