Inici » Reflections on the future of the Igualada sample

Reflections on the future of the Igualada sample

by PREMIUM.CAT
Una escena vibrante que representa la atmósfera bulliciosa de la 'Mostra Igualada', un festival dedicado a 'actuaciones infantiles y juveniles'. La imagen captura a una multitud diversa de familias y niños, todos involucrados en diversas actividades. Las pancartas coloridas revolotean en la brisa, mostrando el logotipo del festival y las palabras 'Mostra Igualada'. En primer plano, un grupo de niños, sus rostros encendidos con emoción, se reúnen alrededor de un artista callejero vestido con un disfraz caprichoso, realizando trucos que provocan risas y aplausos. Cerca, los puestos de comida ofrecen una variedad de 'delicias locales', con familias que disfrutan de bocadillos y refrescos. El fondo presenta una etapa en la que se está realizando una actuación cautivadora, con actores con trajes vibrantes que involucran a la audiencia. El ambiente está lleno de alegría y creatividad, que encarna el espíritu del festival. El sol brilla intensamente, lanzando un cálido brillo sobre la escena, mejorando el estado de

A pioneer’s farewell

Ramon Giné is preparing to close a significant chapter in his career as an artistic director of the Igualada exhibition, an event dedicated to the performing arts for children and young people. In its last edition, Giné has decided not to choose the renewal of his post, marking an end that leads with a deep reflection on the path traveled.

Inequality in institutional support

In a recent conversation with ACN, Giné expressed concern about the difference in support of events such as the show compared to other cultural fairs, such as the FiraTàrrega. According to him, the lack of more robust funding has put the event in a precarious situation.

An ambitious budget proposal

Giné points out that in order to achieve real and sustainable growth, the sample budget should range from 700,000 to 800,000 euros, a figure that contrasts with the current 450,000 euros available. This discrepancy affects not only the team that currently operates as freelancers, but also the companies that act, who often do not receive the proper compensation.

A festival for all

One of Giné’s goals has been to break the labels that often limit the sample audience. With a more inclusive view, he believes that shows should be accessible to all age groups, comparing it to cinema, where age restrictions do not prevent adults from enjoying films for a young audience.

A success in terms of participation

The 36th edition of the exhibition has been a success in terms of proposals, with 41 shows selected from more than a thousand submissions. Giné emphasizes that this growth in inscriptions indicates a highlight for Catalan children’s and youth theater, as well as the importance that companies give to participate in this festival.

The phenomen of ‘festivalitis’

Giné has observed a rise in the creation of festivals in Catalonia, a phenomenon he calls ‘Festivalitis’. Although he acknowledges that this may be positive, he also warns that stable programs should not be damaged, which are essential for the development of culture in the country.

The need for diversity in programming

He considers it essential for programmers to dare to incorporate new voices and formats in their offers, beyond the most popular titles. This diversity will not only enrich the cultural offer, but also guarantee the long -term sustainability of festivals.

A look into the future

With his departure, Giné leaves behind a legacy and a series of challenges that the new director will have to face. Its hope is that the Igualada exhibition can evolve and find the necessary resources to consolidate itself as one of the most important festivals in the Catalan cultural landscape.

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