Theatrical catharsis: beyond extreme emotions
Attending a theatrical performance can lead to deep emotional release, but it is often reduced to the extreme reactions of the characters. These experiences, such as the moments of tension and confrontation, can be very intense, but the director Pau Carrió proposes an alternative that challenges these conventions.
An innovative approach: avoiding conflict as a strategy
In his ‘character and conflict’, Carrió explores how actors can avoid the explosion of the conflict, focusing on the creation of more empathetic characters. With solid academic training in stage and dramaturgy, Carrió has contributed its vision to several recognized works, such as ‘Hedda Gabler’ and ‘Crime and punishment’.
Rethink the dynamics of conflict
The course, which will begin on April 22, offers a different approach, exploring classic works of figures such as Shakespeare and contemporaries such as David Eldridge and Llàtzer Garcia. Carrió proposes that the interest of the scene can come from the efforts of the characters to avoid the conflict, instead of falling into the easy solutions of the confrontation.
Rethink resolution strategies
The Carrió proposal implies a paradigm shift in how the scenes are interpreted. He emphasizes that the subtille strategies we use to deal with difficult situations, such as denial or negotiation, are often ignored. In a world where conflict is avoided, theater can offer a deeper look at these dynamics.
The importance of emotional understanding
Carrió encourages us to explore the interior of the characters, focusing on the natural tendency to avoid conflict. This approach can be reflected in its previous productions, such as ‘Life Cost’, where you work to reveal the hidden emotions that are often eclipsed by the shouts.
Registration and growth opportunities
Those interested in deepening this new way of understanding the conflict on the scene can sign up for the course at the International Dramaturgy Obrador. Carrió offers a unique opportunity for actors and directors to rethink their practices and discover new voices in contemporary theater.
