Inici » The fascination with crime: reflections on ‘Crimes’ and Catalan society

The fascination with crime: reflections on ‘Crimes’ and Catalan society

by PREMIUM.CAT
La sonrisa de troll de Carles Porta sigue siendo la misma, pero el país cambia. Elevado a la categoría de ritual estacional, el envío anual de males locales desde Crims debería ofrecer una imagen del lado oscuro del catalanismo que cierta patxoca puede reconocer. ¿Y si ahora que Salvador Illa ha nombrado a más Mossos d'Esquadra, Carles Porta se queda sin trabajo? ¿Y si nos estamos volviendo más españoles en la forma de matar? Un país de verdad no debería tener sólo una extrema derecha que pueda ser aprobada, sino también asesinos que se manifiesten (8k, mejor calidad, obra maestra, muy detallado:1.1)

A mirror of today’s society

The impact of the series ‘Crims’ becomes evident as each new season becomes an expected event, becoming a reflection of the concerns and discomforts that permeate Catalan society. Carles Porta, its iconic presenter, continues with his peculiar smile, while the political and social panorama evolves around him.

Evils of proximity: a disturbing look

The series not only presents crimes, but also explores the power dynamics and social tensions that lie behind each story. With the recent addition of more Mossos d’Esquadra, the question that arises is whether, in the long run, this vision of crime will continue to have a place in an increasingly controlled environment.

Murder as a spectacle

The narrative of ‘Crims’ is based on the idea that a good crime story should be exciting. It argues that there are more victims than ever, and that the reason for its selection is not a lack of material, but the intention of not saturating the audience. The chosen episodes seek to capture the diversity of crimes in Catalonia, reflecting realities that often remain hidden.

Criticism and controversy: the debate over morality

With each new installment, the series also faces criticism about its social responsibility. The controversy over ‘revictimization’ is recurrent, and the program is often forced to defend its existence in a context where feelings and sensitivity are increasingly present. The introduction of a message that points to the reality of evil is a maneuver that seeks to balance spectacle with reflection.

Narrative and the art of tension

Each year, ‘Crims’ perfects its narrative technique, playing with time and tension. With a production reminiscent of Sergio Leone’s films, the series transforms everyday elements into symbols of misfortune. However, the ability to maintain audience interest has encountered a new challenge: the fragmentation of digital conversations.

Conclusions about social connection

The social interaction that ‘Crims’ generates is an interesting phenomenon. The attraction to the series comes not only from the crimes, but also from the way viewers connect with each other through this shared experience. As social media transforms, the dynamics of sharing these narratives are affected, leaving many with the feeling that the community has dispersed.

The future of ‘Crimes’ and its influence

With changes in society and the way we consume content, the future of ‘Crims’ may be at a crossroads. However, its ability to captivate audiences and explore the complexities of human behavior will continue to be a topic of debate and interest. The series, with its unique perspective on crime, will continue to be a central element in the conversation about Catalan identity.

You may also like

-
00:00
00:00
Update Required Flash plugin
-
00:00
00:00