An Unexpected Event
On September 13, after the festivities of the Marededeus Trobades and the beginning of the Montserrat Millennium, the Confraternity of the Mother of God of Montserrat in Lleida surprised with a unique initiative. The event, held in front of the Moreneta altar, allowed attendees to learn first hand the restoration process of this emblematic space, which was inaugurated last June 16.
The Public Interest
With a massive attendance of Lleida citizens, brothers and devotees, the event attracted a diverse audience looking for details about the work of recognized professionals. The restaurateurs José A. Ferrer and Lluís Capdevila were the protagonists, with the director of the confraternity, Josep Estruch, praising their artistic skills.
Unexpected discoveries
Lluís Capdevila was the first to speak, presenting photographs of works of art from the Egyptian Museum in Barcelona. He emphasized that the restoration had revealed that the altar followed assembly techniques similar to those used by the ancient Egyptians. ‘Without a single nail, the wood of the altarpiece remains perfect, almost seven decades after its creation,’ he said.
Ancient Techniques, Modern Results
Capdevila emphasized the craftsmanship of the craftsmen who built the altar, emphasizing their ability to create durable and aesthetic structures.
The Restoration Process
Restaurateur José A. Ferrer explained that his work required 50 intense days of dedication. They had to repair some damaged areas, but found that most of the wood was in good condition, with the exception of a large accumulation of dirt. ‘The smoke from the candles had left a layer of grease that hid the original polychromy,’ commented Ferrer.
Restoration regulations
Ferrer ensured that the guidelines of the 1964 Venice Declaration were strictly followed, ensuring the integrity of the work throughout the process.
An Altar Full of Surprises
The restorers also discovered hidden floral decorations and evidenced that the cambric vaults were more than simple wooden elements; they were a work of art made with reeds and plaster.
Artistic and Spiritual Value
Both figures concluded that the altar of Our Lady of Montserrat is not only an artistic masterpiece, but also a symbol of faith that deserves to be appreciated with new perspectives.
Musical closing
The event culminated with a musical interpretation of Montserrat themes, performed by the mezzo-soprano Anna M. Prada with the piano support of Mn. Joaquim Mesalles The moment was emotional, with all those present standing up to sing the Virolai in honor of La Moreneta.
An Incomparable Heritage
The altarpiece, which rises to 10 meters high, is an exquisite example of neoclassical style, made of pine wood by the carver Ramon Borràs Vilaplana and gilded by Llucià Oliva. The revered image of Our Lady of Montserrat, the work of Josep M. Camps i Arnau, complements this sacred space that has been a witness of faith for almost seven decades.
