A Cycle Dedicated to Young Creativity
On February 9, 2025, the Liceu hosted a triptych of contemporary works, which included ‘El cel no es guardarà el secret’ by Clara Aguilar, ‘Aura’ by Marina Herlop, and ‘Desheretaràs la terra’ by Fabià Santcovsky. These micro-operas, which captivated the audience with their reflections on ecology and the relationship between humans and nature, managed to fulfill their functions, highlighting the interest in new creative voices.
The Importance of Co-Creativity
In a landscape where co-creation becomes a fundamental pillar, the micro-operas presented not only stood out for their music, but also for the collaboration between set designers and librettists. The names of emerging artists were the protagonists, such as Sílvia Delagneau and Carlos Bunga, who brought their unique vision to each production.
Immersive Experiences at the CCCB
The first work of the triptych, ‘El cel no es guardarà el secret’, was a sound experience that transcended the notion of conventional opera. With an installation that combined music and visual elements, Aguilar created an immersive environment where viewers were transported to a world of philosophical reflection. The interaction of light and sound made every moment an exploration of being and the universe.
A Journey to the Beginning of Opera
In a dimly lit setting, the opening whispers prepared viewers for a journey into the divine. The combination of evocative music and careful design offered a unique experience, although the open ending created some ambiguity in its interpretation.
Aura: An Exploration of the Past
The second micro-opera, ‘Aura’, transported the audience to the 13th century, presenting the struggle of a young woman in a world devastated by war. Marina Herlop, in the title role, combined medieval sonorities with modern touches, creating an atmosphere of mysticism. However, the quality of the instrumental sound was a point of controversy, leaving some expectations unfulfilled.
You will disinherit the Earth: A Shocking Finale
The culmination of the cycle took place in the Foyer of the Liceu with ‘Desheretaràs la terra’, which stood out for its solid production and minimalist dramaturgy. With a captivating soundscape, the work of Fabià Santcovsky and Carlos Bunga resulted in a work that balanced musicality and narrative. Èlia Casanova’s performance was remarkable, showing her versatility as an artist in a post-apocalyptic environment.
A Reflection on the Future
With a climax that involved the audience in the story, ‘Desheretarás la terra’ concluded the cycle with a sense of unity and depth. The quality of these micro-operas not only highlights emerging talent, but also opens the door to future productions that seek to continue exploring the world of opera in an innovative and accessible way.
The micro-operas presented were not only a reflection of local talent, but also demonstrated the ability of art to address contemporary themes in a profound and creative way, leaving the audience wanting more.
